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Alfred Sisley Wacherinnen von Bougival oil painting


Wacherinnen von Bougival
Painting ID::  81457
Alfred Sisley
Wacherinnen von Bougival
1875 Medium Oil on canvas Dimensions 46 x 61 cm cyf

   
   
     

Alfred Sisley Baumallee bei einem Stadtchen oil painting


Baumallee bei einem Stadtchen
Painting ID::  81919
Alfred Sisley
Baumallee bei einem Stadtchen
1866(1866) Medium Oil on canvas Dimensions 45 x 59.5 cm (17.7 x 23.4 in) cyf

   
   
     

Alfred Sisley Woodbridge at Argenteuil oil painting


Woodbridge at Argenteuil
Painting ID::  82084
Alfred Sisley
Woodbridge at Argenteuil
Date 1872 cyf

   
   
     

Alfred Sisley Aquadukt von Marly oil painting


Aquadukt von Marly
Painting ID::  82123
Alfred Sisley
Aquadukt von Marly
Date 1874 Medium Oil on canvas Dimensions 54,3 x 81,3 cm cyf

   
   
     

Alfred Sisley Maschinenhaus der Pumpe in Marly oil painting


Maschinenhaus der Pumpe in Marly
Painting ID::  82229
Alfred Sisley
Maschinenhaus der Pumpe in Marly
Date 1873 Medium Oil on canvas Dimensions Deutsch: 46 x 65 cm cyf

   
   
     

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     Alfred Sisley
     French 1839-1899 Alfred Sisley Galleries Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs. Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.

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